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From One Note to Seven: what is a saptak in Indian classical music
Introduction: Our Raga Quest Begins with a Single Sound In our earlier chapters, we established something simple but profound: music is the art of making sounds that are beautiful, and then arranging them so that the arrangement itself is beautiful. We called these musical sounds swara. But one swara alone does not make music. We need many. And not just any collection — we need swara that, when placed together, still sound pleasing to the ear. So the natural next question is:
Janak Vadgama
Feb 208 min read


The Tanpura
And its place in indian classical music Pandit Bhimsen Joshi Behind him: his disciples Deshpande and Rathod Purushottam Walawalkar on the harmonium on his left And Shashikant (Nana) Mule on the tabla on his right The tanpura (or tamboura) holds a unique and significant place in Indian classical music. Whether it's classical or semi-classical vocal music or instrumental music, one always sees an artist playing the tanpura, a long-necked instrument with a gourd at the bottom,
Janak Vadgama
Feb 1811 min read


The Physics of Swara: How Sound Becomes Music in Hindustani Classical
Understanding Sound as a Wave We all remember from school physics that sound travels as a wave. Something initiates the wave, it travels through the air, reaches our ears, and we perceive it as sound. In music, what initiates this wave is either the human voice or a musical instrument. At the source of vibrations, they are typically very weak and need a resonating body to amplify them. This resonating body is what completes the instrument: In voice: The wave is initiated in
Janak Vadgama
Feb 154 min read
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